Too
often, a debut EP is little
more than a promotional device,
incapable of standing alone
as a fully realized piece of
art. Not so with The Kingdom’s
bizarre and wondrous Unitas,
a surreal paean to the legendary
Baltimore Colts quarterback.
The conceptually complete and
enthusiastically performed song-cycle
finds singer/mastermind Charles
Westmoreland re-imagining Johnny
Unitas as a mythical deity hurling
“the sun across the sky
to the locomotive horse with
dove wings,” and goes
on to tell of a hero “in
love and covered in horses’
blood” who plays a cosmic
game of football in the heavens.
In using a familiar sports hero
as the metaphorical point of
departure, Westmoreland offers
a fitting example of The Kingdom’s
aesthetic intent: the transformation
of the easily recognizable trappings
of contemporary indie rock (melodic
guitar jangle, low-budget keyboards)
into something otherworldly
and divine.
Though Westmoreland’s
distinctive poetics and metaphysics
alone would make Unitas a compelling
debut, the skyscraping vocals
and keen melodies transform
these songs from bedroom-born
4-track charm into basement
party anthems, brimming with
teenage abandon. From the complex,
intersecting vocal lines of
“I Am Constellation”
to the soaring choruses of “Arcadia
of My Youth,” the EP displays
a knowing mastery of Zombies-esque
pop, as played by a generation
that embraced Guided By Voices,
not U2, as rock’n’roll
saviors. Though Portland has
sprouted many promising pop
savants of late, The Kingdom’s
meticulous song-craft, coupled
with their feverish, ebullient
presentation, unite the visceral
and the cerebral into an eminently
enjoyable and erudite whole.
Though their highly anticipated
full-length won’t see
release until early 2006, Unitas
is more than just a promising
debut—it is a succinct
and highly original work of
art,
announcing the arrival of a
thoroughly unique new talent.
The Kingdom are currently working
on their first full-length album
to be issued by Arena Rock in
early 2006.
'Unexpected indie classic! Doesn't sound like Arcade Fire!' -Spin
'New wave synth lines,
jingle-jangle guitars, cascading violins, that weirdly soulful voice. It
shouldn't work but it does. They could be playing mini-stadiums before long'
-Amazon.com
'Reference points: GBV
and Elton John' -Willamette Week
'A minor masterpiece
of musical schizophrenia...both rocking and symphonic.' -NY Press
'K1 is one of the
most unique musical statements to come down the pipes in some time'
-Aversion.com
'It's not an instant
hit. It's a vision' -Portland Mercury
'It's like nothing
that's come down the indie rock conveyor belt in years' -Details
For more information on The
Kingdom visit their website
at www.diealloverme.com |